Just perchance ran into your blog, enjoy combing through the New Wave rarities and downloaded 60s onward and have found a gem or two in each folder I had never heard before. Thanks... wish I had found you earlier for some of the earlier releases. Some of it is just horrible, some strangely alluring, and a couple are just bloody brilliant. I love a hidden gem find. Thanks for what ya do.
And that brings us to Volume 32 of An Introduction To Dutch New Wave. This time 65% of the numbers came from recent purchased vinyl. I will keep telling that Discogs has become a major resource for discovering and hunting vinyl from bands and artists, that sometimes released one single only. But since a couple of weeks I am using a great cross reference site called Nederlandse vinylsingles . The guys behind this site are doing a great job, tracking down all Dutch vinyl singles. Some information on several songs. The Kimono track is spelled wrong. I kept it this way, since the cover of the single shows the same title. It’s one of the groups of which I used the single b-side instead of the a-side. The others are Blackout (b-side of Obscure Disco), G.T. Modell (b-side of Scratch Your Act) and Weekend At Waikiki (b-side of The Valley). Frederic And The Flies was a one off project by producer duo Bolland and Bolland. Not only the group name refers to Adam And The Ants, t...
(AVALON RECORDS GHCD10) Empires Never Last dates back five years ago and finally here is the sequel: Battle Scars. An album which marks the parting of bassist Neil Pepper, who at 44 years old, died of cancer last year. Pepper, despite the discomforts of the disease, still managed to play all bass parts for both Battle Scars and Beyond The Realm Of Euphoria, with a planned release for later this year. Out of respect, the remaining band members decided to continue as a foursome and Pepper is mentioned on three tracks as the composer / writer. Mark Spencer (Twelfth Night) will take his place as bassist during the upcoming concerts. On Battle Scars the techno, ambient and dance influences, introduced since the recruitment of keyboardist Dean Baker, are strongly extended. The result contains a potpourri of styles and lifts Galahad, in terms of musical presentation, to the 21st century, while the progressive roots through Hammond and Mellotron samples are not forgotten. From th...
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