Just perchance ran into your blog, enjoy combing through the New Wave rarities and downloaded 60s onward and have found a gem or two in each folder I had never heard before. Thanks... wish I had found you earlier for some of the earlier releases. Some of it is just horrible, some strangely alluring, and a couple are just bloody brilliant. I love a hidden gem find. Thanks for what ya do.
Back to 2005 when I created a compilation series of eighties tracks collected from various sources over the internet. The series ended after 60 volumes and a bonus volume. Ten years after date I picked up the project by trying to find all featured tracks in a 320Kbps MP3 rip. It took me several months but in the end was able to get the job done. The funny thing is that each time I was triggered to return to those 80s music styles after I decided to quit, or taking a break from, writing for the Dutch progressive rock magazine iO Pages. This summer the magazine celebrated their 150 issue. For me time to call it a day. So as expected I turned back to the 80s favorite music styles like new wave, post punk, synthpop, gothic and more. Over the months I collected a lot of new unknown songs to me and created seven new volumes. Through this blog entry I temporarily offer you, just before Christmas, the volumes 62 to 68 as seperate downloads. So what can you expect. A great bunch of,...
(AVALON RECORDS GHCD10) Empires Never Last dates back five years ago and finally here is the sequel: Battle Scars. An album which marks the parting of bassist Neil Pepper, who at 44 years old, died of cancer last year. Pepper, despite the discomforts of the disease, still managed to play all bass parts for both Battle Scars and Beyond The Realm Of Euphoria, with a planned release for later this year. Out of respect, the remaining band members decided to continue as a foursome and Pepper is mentioned on three tracks as the composer / writer. Mark Spencer (Twelfth Night) will take his place as bassist during the upcoming concerts. On Battle Scars the techno, ambient and dance influences, introduced since the recruitment of keyboardist Dean Baker, are strongly extended. The result contains a potpourri of styles and lifts Galahad, in terms of musical presentation, to the 21st century, while the progressive roots through Hammond and Mellotron samples are not forgotten. From th...
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