Just perchance ran into your blog, enjoy combing through the New Wave rarities and downloaded 60s onward and have found a gem or two in each folder I had never heard before. Thanks... wish I had found you earlier for some of the earlier releases. Some of it is just horrible, some strangely alluring, and a couple are just bloody brilliant. I love a hidden gem find. Thanks for what ya do.
(AVALON RECORDS GHCD10) Empires Never Last dates back five years ago and finally here is the sequel: Battle Scars. An album which marks the parting of bassist Neil Pepper, who at 44 years old, died of cancer last year. Pepper, despite the discomforts of the disease, still managed to play all bass parts for both Battle Scars and Beyond The Realm Of Euphoria, with a planned release for later this year. Out of respect, the remaining band members decided to continue as a foursome and Pepper is mentioned on three tracks as the composer / writer. Mark Spencer (Twelfth Night) will take his place as bassist during the upcoming concerts. On Battle Scars the techno, ambient and dance influences, introduced since the recruitment of keyboardist Dean Baker, are strongly extended. The result contains a potpourri of styles and lifts Galahad, in terms of musical presentation, to the 21st century, while the progressive roots through Hammond and Mellotron samples are not forgotten. From th...
I think it was somewhere around 1984 when I listened to the radio on a frequent base. Every Thursday we had a two hour program running on the Dutch radiostation Hilversum 3 in which they played tracks from new albums. It was a great program called LP Show. A couple of years later they changed the name to the CD Show. It was a well known program where they played every style of music, normally without talking through the intro and outtro of the music, and on several occations they broadcasted live shows. Through this show I discovered new music. Became interested in bands like Marillion, Pallas, IQ and Pendragon, and so into progressive rock, or the neo-prog as it was called, since all these bands were from the eighties. It was also around this time that a small Dutch magazine called Sym-Info was starting, and this magazine brought more names to my attention. It was basicly an A5 magazine at the start filled with reviews, but later on with interviews. Since they knew the music they were...
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